quality Natural Wood Veneer & Engineered Wood Veneer factory

VENEER REFERS TO THIN SLICES OF WOOD. EVERY INDIVIDUAL TREE HAS ITS UNIQUE “PERSONALITY TRAITS”, THUS LEADING TO AN ENORMOUS DIVERSITY OF WOOD VENEERS. VARIOUS FINISHING TECHNIQUES APPLIED TO THIS DIVERSITY BRING DISTINCT INDIVIDUALITY OF COLOR AND PATTERN TO EVERY INTERIOR.   THICKNESS: 0.45mm/ 0.5mm/ 0.55mm/ 0.6mm/0.8mm/ 1mm WIDTH: Variable between 150 mm and 350 mm LENGTH: Variable between 200 mm and 3500 mm GRADE: AAA / AA / A / AB HUMNIDITY: 12% SLICING TECHNIQUES: Quarter cut/ Rift cut/ Crown cut/ Rotary cut ORIGIN: China APPLICATION: Veneered furniture, door, cabinet, wallcovering, architectural panels, engineered flooring and others surface decoration. CERTIFICATED: FSC 100%  PACKING: Veneer is packing in bundles, 24 or 32 veneer sheets same size per bundle. Each bundle has the label, indicating specie, dimensions of veneer sheets in the bundle (length, width), overall quantity of veneers in bundle and grade. Bundles on pallet are covered by polyethylene film. Veneer bundles are shipped on pallets with wooden carton wrapping.     SLICING TECHNIQUES Quarter cut: The slicing is made perpendicularto the annual growth rings of the tree. Thus creating a straightgrain effect. Suitable mostlyfor home furniture. Quarter rift cut: A straight grain effect similarto true quarter cut veneer most commonly used in largerhomogeneous applications. Suitable for hotel lobbies,theaters. Crown Cut / Plain slicing: By slicing parallel to the centerof the log, a raised "cathedraleffect" is formed by theinnermost growth rings. Suitable for every application which enrich the natural woodcharacter. Rotary Cut: A whole log is mounted in a latheand turned against the blade. It produces continuous sheets of Veneer with great variationsin pattern. Suitable for plywood boards, chair components,3D furniture.   Natural Wood Veneer Index*  Afrormosia Afrormosia, Fiddleback Alder, Red Anegre Anegre, Fiddleback Anegre, Figured Ash, Brown Ash, Figured Ash, Figured European Ash, Japanese Ash, Olive Burl Ash, Tamo Ash, White Ash, White Burl Avodire Beech, European Beech, European Steamed Birch, Red Birch, White Bubinga Bubinga, Fiddleback Butternut Camphorwood Burl Carpathian Elm Burl Cedar, Aromatic Red Cedar, Spanish Cherry, American Cherry, Curly Figured Cypress Douglas Fir, Vertical Grain Ebony, Macassar Etimoé Eucalyptus Pommele Eucalyptus, Figured Figueroa, Figured Hickory Iroko, Figured Kewazinga Koa, Hawaiian Koto Lacewood Lacewood, Bleached Laurel Laurel Burl Limba Louro Preto Madrone Burl Mahogany Mahogany, African, Fiddleback Mahogany, Broken Stripe Mahogany, Crotch Mahogany, Honduras Mahogany, Ribbon Makoré Makoré Pommele Makoré, Block Mottled Makoré, Fiddleback Mapa Burl Maple Maple Burl Maple, Birdseye Maple, Curly Maple, Fiddleback Movingui Movingui, Figured Movingui, Figured Dyed Movingui, Figured Pearl Mozambiqeue, Figured Mutenye, Fiddleback Oak, English Brown Oak, Red Oak, Red Heavy Flake Oak, White Oak, White Heavy Flake Okume Orientalwood, Figured Padauk Pearwood Pecan Pine, Knotty Random Pine, White Pine, Yellow Poplar Prima Vera Purpleheart Redwood Burl Rosewood, African Rosewood, East Indian Rosewood, South American Sapele Sapele Pommele Sapele, Fiddleback Sapele, Figured Satinwood Sycamore, English Figured Sycamore, Figured Teak Teak, Honey Walnut Burl Walnut Crotch Walnut, American Walnut, Olive Wenge Yew Zebrawood        

JOINTING TECHNIQUES     VENEERING Veneer can be glued onto all wood-based supports with ureic or vinyl glues. For gluing onto supports in different materials we recommend first carrying out tests to check for any technical problems and assess the performance of the finished product.     GLUING WITH UREIC GLUES When using ureic glues it is generally advisable to avoid applying more than 150 g/m2,at pressures varying from 1.5 bar to 3 bar and veneering temperatures between 80° C and 125° C. Additives may be added to the glue in order to adjust its rheological properties and avoid undesirable seepage. We also suggest pigmenting the glue with shades similar to the veneer colour.     GLUING WITH VINYL GLUES Due to the thermoplastic characteristics of this type of glue, the amount to be applied must be accurately regulated according to the veneer, the support and the kind of press used, in order to avoid unpleasant seepage that is difficult to remove during the sanding operation. Generally speaking, the quantity of vinyl glue used should be between 80 g/m2 and 110 g/m2, at pressures varying from 1.5 bar to 3.5 bar and veneering temperatures between 60°C and 80° C.     SANDING To remove from the product any traces of manipulation and/or glue left over from the gluing operation, the veneer should be sanded with grade 100/150/180 sandpaper, used singly or in succession on manual or automatic sanders. Sanding carried out at right-angles to the grain, if done forcefully, may leave on the material visible micro scratches or tears; it is necessary therefore, to perform tests beforehand in order to assess the result and decide which specific sanding techniques to adopt.     VARNISHING veneer may be varnished using the methods and classes of products recommended for varnishing natural wood, which are designed to preserve the material from phenomena of chemical/physical (photodegradation, thermal degradation) and mechanical (scrapes, blows, etc.) deterioration. It is advisable, in any case, to follow carefully the specific instructions provided by the varnish manufacturer, and to carry out tests before subjecting the multilaminar veneer to varnishing processes.     MAINTENANCE OF VENEERS As veneer is composed mainly of natural wood its moisture content may vary in relation to the environment in which it is stored and worked; we recommend,therefore, maintaining in the areas reserved for storing and working the veneer a humidity rate of between 50% and 80% (Ur) at a reference temperature of 20-22° C. Avoid all contact, even temporary, with water or other liquids, condensation and dripping onto the surface of the product.The product should be stored flat at a height of at least 200-250mm from the floor and the veneer must be protected from all light, both direct and indirect.

1. Log Selection Only high-quality logs (usually top 1–2% of harvested trees) are selected for veneer production due to their uniform grain and appearance.     2. Soaking/Softening The logs are soaked in hot water or steamed to soften the wood fibers. This makes them easier to cut into thin sheets.     3. Slicing the Veneer The softened logs are sliced into thin sheets using different cutting techniques (like rotary cut, plain cut, or quarter cut), depending on the desired grain pattern.     4. Drying The sliced veneer sheets are carefully dried to remove moisture and prevent warping or cracking.     5. Trimming & Joining Sheets are trimmed and sometimes joined together edge-to-edge to create wider panels.     6. Backer Application (if needed) Some veneers are bonded to a backing material (like paper or fabric or panel) to make them more stable and easier to apply.     7. Sanding & Final Finishing The veneer is lightly sanded and prepared for use in furniture, cabinetry, wall panels, and more.  

we focus on natural veneer @Vietnam Biuld Exhibition 2024

PVC edge banding     standard thickness customized thickness   1mm as clients want   1.2mm width as clients want MOQ 1 roll=100m 3000m grain as samples as clients want lead time within 7 days 7-15 days for ref, should base on final qty information for quotation:   thickness, width  

Designed by an independent design studio for LINGFENG WOOD showcases the natural texture, craftsmanship possibilities, and cross-border applications of wood veneer through spatial narrative